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Her case is in arbitration, and both sides declined to comment about it. In a legal complaint, she accused the academy of voting improprieties and rampant conflicts of interest. The academy said she mistreated an employee, but Dugan said she was retaliated against for criticizing the institution. They come after a bruising conflict with the academy’s last chief, Deborah Dugan, who was brought in as a change agent yet dismissed after five months on the job - and just days before last year’s ceremony. Pre-Grammy events this week have included “Women in the Mix,” highlighting women in production and engineering fields, and a gathering of the Black Music Collective, a new advisory group that aims to “amplify Black voices.”īut the Grammys are an especially public target, and whether the academy’s moves will satisfy its critics is unclear. The four pop categories, for example, have no such committees.Īs part of its efforts to change, the academy has invited thousands of new members, hired a diversity officer and brought more women and people of color into its committees and leadership.
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And this year, as in past years, we are going to take a hard look at how to improve our awards process, including the nomination review committees.”Įven though this process is publicly disclosed, it is still largely not understood by the music world. “But I will say that we are constantly evolving. “We’re all disappointed when anyone is upset,” Mason said in response to the Weeknd’s statement. In late 2019, a task force led by Tina Tchen, the former chief of staff for Michelle Obama - which was convened after an outcry over the representation of women at the awards - made a number of recommendations to help diversify the institution most are being implemented. Harvey Mason Jr., a producer and songwriter who is the academy’s interim chief executive, said the organization is dedicated to improving itself. Reshifting the Power: The new 10-minute version of a bitter breakup song from 2012 can be seen as a woman’s attempt to fix an unbalanced relationship by weaponizing memories.Fearless: For the release of “Fearless (Taylor’s Version),” the first of the rerecordings, Times critics and reporters dissected its sound and purpose.
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Swift released two new albums, “ Folklore” and “ Evermore.” In debuting a new sound, she turned to indie music.